tag:blogger.com,1999:blog-86596166509124410002024-03-05T06:23:18.871-08:00Alípio C NetoComposition Improvisation Poetics - Avant-Garde Jazz & Improvised MusicAlípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.comBlogger93125tag:blogger.com,1999:blog-8659616650912441000.post-67902219863854782162016-03-02T07:49:00.002-08:002016-03-02T08:00:11.804-08:00 Thursday, March 24, 2016 - Charlie Kohlhase/ Alipio C. Neto Quintet at Outpost 186 (BOSTON)<div style="text-align: center;">
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<span style="background-color: black; color: white;">Charlie Kohlhase/ Alipio C. Neto Quintet at Outpost 186</span></div>
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<span style="background-color: white;"><span style="background-color: black; color: white;">Brazilian saxophonist (and current Rome resident) Alipio C. Neto is visiting the area this week. Charlie Kohlhase & Alipio C. Neto: saxophones; Daniel Rosenthal: trumpet & flugelhorn; Bill Lowe: tuba and Curt Newton: drums.</span></span></div>
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<span style="background-color: black; color: white;">Thursday March 24, 2016 20:00 – 22:00</span></div>
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<span style="background-color: black; color: white;">Outpost 186, 186 1/2 Hampshire Street, Inman Square, Cambridge, MA (<a href="https://maps.google.com/maps?q=Outpost+186,+186+1/2+Hampshire+Street,+Inman+Square,+Cambridge,+MA&hl=it"><span style="color: white;">mappa</span></a>)</span><br />
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<span style="background-color: white;"><a href="http://www.outpost186.com/" style="background-color: black;"><span style="color: white;">http://www.outpost186.com</span></a> </span></div>
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<a href="http://www.alipiocneto.com/" style="background-color: black;"><span style="color: white;">http://www.alipiocneto.com</span></a></div>
Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-41412791593235276182016-03-02T07:48:00.002-08:002016-03-02T07:59:02.749-08:00merc 2 mar 2016 - Iato Orchestra <b style="font-family: arial, sans-serif; font-size: 13px;"><span style="background-color: black; color: white; font-size: medium;">Iato Orchestra in concerto</span></b><br />
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<span style="background-color: black; color: white; font-size: medium;">soundpainter: <b>Giancarlo Nino Locatelli</b></span></div>
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<span style="background-color: black;"><span style="color: white;">Eleonora Bruni: voce</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Martina Fadda: voce</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Errico De Fabritiis: sassofoni</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Stefano Di Cicco: tromba</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Ersilia Prosperi: tromba</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Mario Camporeale: trombone</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Enrica Vatteroni: trombone</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Luca Tilli: violoncello</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Andrea Pesce: sintetizzatore</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Luca Venitucci: fisarmonica</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Francesca Palombo: fisarmonica</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Francesco Lo Cascio: vibrafono</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Riccardo La Barbera: pianoforte</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Stefano Acunzo: basso elettrico</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Andrea Grossi: contrabbasso</span></span></div>
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<span style="background-color: black;"><span style="color: white;"><b>Iato Orchestra</b> è un grande ensemble nato spontaneamente da un gruppo di musicisti con l'intento di esplorare insieme nuove e diverse possibilità creative di fare musica. Centro di aggregazione di questa realtà è stata la rassegna Iato, che dal 2003 al 2012 ha organizzato stabilmente concerti di musica di ricerca presso "Il Cantiere", storico spazio sociale a Trastevere (Roma).</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Dai primi incontri del 2010, fondati sulla libera improvvisazione, il gruppo si è' poi confrontato con le composizioni e le conduction a cura di Mike Cooper ("Que viva Mexico"), Alvin Curran, Roberto Bellatalla, Tim Hodgkinson, Gianfranco Tedeschi, Elio Martusciello, Luca Venitucci, Stefano Tedesco, Fabrizio Spera, Amy Denio. Dal 2012 è attiva la collaborazione con l’Angelo Mai.</span></span></div>
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<span style="background-color: black;"><span style="color: white;"><b>Giancarlo Locatelli</b> è nato nel 1961: le prime lezioni di musica le ha ricevute dal padre fisarmonicista e nel 1985 si è diplomato in clarinetto al conservatorio di Verona. Gli studi accademici non gli hanno però precluso la pratica dell'improvvisazione, nella quale si è distinto suonando con Steve Lacy, Peter Kowald, Paul Lovens, Eliott Sharp, Zeena Parkins, Wadada Leo Smith e molti altri. Ha collaborato con performer e poeti quali Franco Beltrametti, Antonello Cassinotti, Rita Degli Esposti e Alda Merini. </span></span></div>
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<a href="http://www.angelomai.org/" style="background-color: black;" target="_blank"><span style="color: white;">http://www.angelomai.org</span></a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-31639041537467683262016-02-03T04:48:00.001-08:002016-02-03T04:53:29.360-08:00UTOPIAN LISTENING the Late Electroacoustic Music of Luigi Nono Technologies, Aesthetics, Histories, Futures<h3 style="background-color: black; color: white; font-family: Palatino, Georgia, Baskerville, serif; line-height: 20px; text-align: justify;">
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<strong>UTOPIAN LISTENING</strong></div>
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the Late Electroacoustic Music of Luigi Nono</div>
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Technologies, Aesthetics, Histories, Futures</div>
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<span class="frame-outer alignnone size-medium wp-image-1126"><a href="http://www.alipiocneto.com:8080/lc42/images/2011/06/nono_arms_outstretched.jpg" style="color: #f0c119;"><img alt="nono_arms_outstretched" class="alignnone size-medium wp-image-1126" src="http://www.alipiocneto.com:8080/lc42/images/2011/06/nono_arms_outstretched-300x155.jpg" height="155" style="border: 0px;" width="300" /></a></span></div>
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International Conference/Workshop/Concerts</div>
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March 23-26, 2016</div>
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Tufts University</div>
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Medford, Massachusetts, USA</div>
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co-sponsored by Tufts and Harvard Universities</div>
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<span style="line-height: 1.5;">Friday, March 25</span></div>
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4:30–6:30</div>
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Workshop 4 Post-prae-ludium n.1 per Donau</div>
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Max Murray & Joshua Fineberg. Discussants include Alípio Carvalho Neto.<br />
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<a href="https://music.fas.harvard.edu/nono_Utopian%20Listening%20Program.pdf" style="color: #f0c119;" target="_blank">https://music.fas.harvard.edu/nono_Utopian%20Listening%20Program.pdf</a><br />
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<a href="https://music.fas.harvard.edu/nono_Utopian%20Listening%20Program.pdf" style="color: #f0c119;" target="_blank">https://music.fas.harvard.edu/nono.html</a><br />
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<a href="http://www.alipiocneto.com/agenda/">http://www.alipiocneto.com/agenda/</a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-80858343799829227842015-07-07T01:16:00.001-07:002015-07-07T01:16:20.928-07:00Evento 04/07/2015 AMBASCIATA DEL BRASILE ROMA<div class="separator" style="clear: both; text-align: center;">
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https://it-it.facebook.com/brasile.roma</div>
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https://www.facebook.com/mastersonicarts.uniroma2</div>
Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-54711800132084637282015-05-29T10:58:00.004-07:002015-05-29T11:01:48.667-07:00"VAMPYROTEUTHIS INFERNALIS" Luiz Moretto Quintet: JAZZ JOURNAL / JAZZCOLOURS / CADENCE JAZZ<div style="text-align: center;">
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<b style="font-family: arial, sans-serif; font-size: 13px;"><b style="background-color: black;"><span style="color: white;">LUIZ MORETTO QUINTET</span></b></b></div>
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<span style="background-color: black;"><span style="color: white;">VAMPYROTEUTHIS INFERNALIS (SLAM 558)</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Alípio C Neto (ss, ts, pc, wh); </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Luiz Moretto (vn, rabeca); </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Francesco Lo Cascio (vib, pc);</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Gianfranco Tedeschi (b); </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Marco Ariano (d, pc). </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Rome, October 2013, March 2014. ****</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Slam's a rich source of new music from Italy and this, </span></span></div>
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<span style="background-color: black;"><span style="color: white;">along with recent work by fellow violinist Stephano Pastor </span></span></div>
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<span style="background-color: black;"><span style="color: white;">is among the most compelling. </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Moretto has a wild, slightly eldritch tone, with</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Brazilian and African (Ghanaian?) sources collide and combine. </span></span></div>
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<span style="background-color: black;"><span style="color: white;">Great support from the rest of the group: Neto´s already</span></span></div>
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<span style="background-color: black;"><span style="color: white;">widely admired, but Lo Cascio is a monster, </span></span></div>
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<span style="background-color: black;"><span style="color: white;">who'll be spreading alarm among the Chicago guys.</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Recommended. (Brian Morton)</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, helvetica, sans-serif;"><span style="font-size: 9pt;">Luiz Moretto Quintet VAMPYROTEUTHIS INFERNALIS </span><span style="font-size: 8pt;">(Slam rec. - 2014)</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, helvetica, sans-serif;"><span style="font-size: 9pt;">La rabeca è uno strumento ad arco a metà fra violino e liuto, che dal Tardo Medioevo attraverso il Portogallo giunge nella musica tradizionale del Brasile. Ed è fra rabeca e violino che si destreggia Luiz Moretto, musicista brasiliano che impiega i suoi strumenti nell’ambito della scena improvvisata, a metà fra Jean-Luc Ponty e Leroy Jenkins. “Vampyroteuthis Infernalis” lo vede circondato da musicisti ben noti in Italia: dal portoghese Alípio C. Neto ai sax al vibrafonista Francesco Lo Cascio, Gianfranco Tedeschi al contrabbasso e Marco Ariano alla batteria. Se il primo brano, </span><span style="font-size: 9pt;">Espiral do Tempo, </span><span style="font-size: 9pt;">lascia perplessi (a parte l’intro di Tedeschi), convince di più </span><span style="font-size: 9pt;">Rio Vermelho do Desterro, </span><span style="font-size: 9pt;">struttura creata da vibrafono e contrabbasso con svolgimento affidato al sax tenore, e interessanti assoli di vibrafono e del leader, nonché un raccolto intervento di Tedeschi. La stridula voce della ribeca espone </span><span style="font-size: 9pt;">Rope em Fuga, </span><span style="font-size: 9pt;">tempo veloce su cui spicca il tocco fulmineo di Lo Cascio, seguito dalla lucida estemporaneità di Neto e dalla galoppata di Moretto. La traccia eponima si riferisce al nome scientifico del calamaro vampiro, mollusco degli oceani temperati </span><span style="font-size: 9pt;">e tropicali che vive a profondità di più di mille metri: il movimento iniziale è lento, dal silenzio acquatico di contrabbasso e vibrafono emergono violino e soprano, pulsanti ma lineari, che intrecciano i rispettivi assoli nel disegno dei tentacoli e della membrana del cefalopode, per zittirsi infine di nuovo verso le profondità marine.</span><span style="font-size: 9pt;">Refrações Geométricas </span><span style="font-size: 9pt;">richiama un’altra caratteristica del mollusco, la bioluminescenza, usata come arma di difesa per spaventare o cogliere di sorpresa gli altri abitanti degli abissi: anche qui non c’è un vero tema, ma le voci di tutti gli strumenti — plauso particolare a Neto — si uniscono in modo difforme per generare combinazioni cromatiche che danno risalto all’intesa collettiva. Breve trionfo del pizzicato in </span><span style="font-size: 9pt;">Photophores, </span><span style="font-size: 9pt;">quindi </span><span style="font-size: 9pt;">Saturni<wbr></wbr>a, </span><span style="font-size: 9pt;">dove si distinguono Neto e Ariano, artefici di un tenace duo soprano-batteria, ed il gioioso trio finale violino-vibrafono-soprano. </span><span style="font-size: 9pt;">Ter<wbr></wbr>ras de Arroz e Açucar </span><span style="font-size: 9pt;">chiude con rabeca, sax tenore e percussioni. La forza della musica d’avanguardia, in un quintetto che va ben oltre la splendida accoppiata sax-violino egregiamente supportata dalla ritmica italiana._An.Rig.&An.Te. </span></span><br />
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<span style="font-family: arial, helvetica, sans-serif;"><span style="font-size: 9pt;">CADENCE</span></span></span></span></div>
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<span style="background-color: black;"><span style="color: white;"><img alt="Inline image 3" class="CToWUd" height="94" src="https://mail.google.com/mail/?ui=2&ik=d6ba2d157a&view=fimg&th=14d9b2a37d254c97&attid=0.2&disp=emb&realattid=ii_14d9a8dccde6cc2f&attbid=ANGjdJ_otb2hjX4pcxnJZtpnoJRcYpnhXTgj8XChvNHrt000SfAiQtD9eWfe-LlS2pKMzZQH6FIwA17peiZZnoAYALXa4UgGaLL4vN1_HkXKW1abD-rrCO0G5eMWwFI&sz=w788-h188&ats=1432922013728&rm=14d9b2a37d254c97&zw&atsh=1" width="394" /></span></span></div>
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<span style="background-color: black; color: white; font-family: 'Trebuchet MS', Helvetica, sans-serif; line-height: 16px;">VAMPYROTEUTHIS INFERNALIS [Slam 558] may also be LUIZ MORETTO’s [vln/rabeca] first release. Here the group [Alipio C Neto-ts/ss, Francesco Lo Cascio-vbs/perc, Gianfranco Tedeschi-b, Marco Ariano-dms] is well tuned in to each other and solos dovetail nicely within their free constructs. The eight cuts here are all originals and the use of vibes here harkens back to the free music of the 60s and 70s as it gives a suspended sense while soloists set their ideas in motion. Neto is the outstanding soloist in the group but it is the contributions and coloring of all that makes this such a successful listen.</span></div>
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<a href="http://www.cadencejazzworld.com/album-reviews---papatamus---a-round-up-of-the-latest-releases.html" style="background-color: black;" target="_blank"><span style="color: white;">http://www.cadencejazzworld.<wbr></wbr>com/album-reviews---papatamus-<wbr></wbr>--a-round-up-of-the-latest-<wbr></wbr>releases.html</span></a></div>
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<a href="https://soundcloud.com/luizmoretto-violin/rope-em-fuga" style="background-color: black;" target="_blank"><span style="color: white;">https://soundcloud.com/<wbr></wbr>luizmoretto-violin/rope-em-<wbr></wbr>fuga</span></a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-36047175893105482842015-04-22T23:34:00.004-07:002015-04-22T23:43:28.083-07:00PRESENTAZIONE DEL NUOVO LIBRO DI GIANCARLO SCHIAFFINI (TRAGICOMMEDIA DELL'ASCOLTO)<div style="font-family: arial, sans-serif; text-align: center;">
<span style="background-color: black; color: white;">PRESENTAZIONE DEL NUOVO LIBRO DI GIANCARLO SCHIAFFINI </span></div>
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<b><i style="background-color: black;"><span style="color: white;">TRAGICOMMEDIA DELL'ASCOLTO</span></i></b></div>
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<span style="background-color: black; color: white; font-family: Helvetica, sans-serif; font-size: 10.5pt;"> Giovedì 23 aprile<u></u><u></u></span></div>
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<span style="background-color: black; color: white; font-family: Helvetica, sans-serif; font-size: 10.5pt;"> alle ore 18.00</span><br />
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<span style="background-color: black; font-family: Helvetica, sans-serif; font-size: 9pt;"><span style="font-size: 10.5pt;"><span style="color: white;"> </span><a href="https://www.facebook.com/www.montiecompany.it" target="_blank"><span style="color: blue;">Galleria Monty&Company</span></a></span><span style="color: white;"><u></u><u></u></span></span></div>
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<span style="background-color: black; color: white; font-family: Helvetica, sans-serif; font-size: 9pt;"> Via della Madonna dei Monti 69, 00184 Roma</span></div>
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<span style="background-color: black; color: white; font-family: Helvetica, sans-serif; font-size: 10.5pt; line-height: 12.05pt;">In occasione del finissage della mostra "Musica preparata" di Massimo Piersanti e Oscar Turco del ciclo SIDE BY SIDE, Irmela Heimbächer è lieta di invitarvi alla presentazione del libro di Giancarlo Schiaffini "Tragicommedia dell'ascolto", che si terrà giovedì 23 aprile alle ore 19.</span></div>
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<span style="background-color: black; color: white; font-family: Helvetica, sans-serif; font-size: 10.5pt; line-height: 12.05pt;">Presenteranno il volume Alessandra Carlotta Pellegrini e Alípio Carvalho Neto.</span></div>
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<span style="font-family: Helvetica, sans-serif; font-size: 10.5pt;"><span style="background-color: black; color: white; font-size: 10.5pt; line-height: 12.05pt;">Sarà presente l'autore.</span></span></div>
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<span style="background-color: black;"><span style="color: blue;"> </span><a href="https://www.facebook.com/events/355953947932673/" target="_blank"><span style="color: blue;">https://www.facebook.com/<wbr></wbr>events/355953947932673/</span></a></span></div>
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<a href="http://www.auditoriumedizioni.it/" style="background-color: black;" target="_blank"><span style="color: blue;">http://www.auditoriumedizioni.<wbr></wbr>it</span></a><span style="background-color: black; color: blue;"><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><b>L’arte dell’ascolto: il <i>tháuma akóuesthai</i> (<i>θαύμα ἀκούεσθαι</i>) di Giancarlo Schiaffini</b><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><i><span style="font-size: 10pt;"> La </span></i><span style="font-size: 10pt;">Substance <i>est un Être capable d’Action.</i> </span><span style="font-size: 10pt;"><u></u><u></u></span></span></div>
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<span style="background-color: black; color: white;"><span style="font-size: 10pt;"> Leibniz, <i>La Monadologie</i></span> <u></u><u></u></span></div>
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<span style="background-color: black; color: white;"> Nei miei studi accademici ho avuto l’opportunità di approfondire una lettura sull’importante ruolo che svolge Giancarlo Schiaffini nel panorama italiano come musicista ed educatore. La mia tesi di Dottorato è stata dedicata alla sua musica<a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[1]</a>, fondata sull’idea di un <i>sui generis</i> senso della libertà, segnata da una consapevolezza originata dalla sua artisticità e ricerca personale, che avvicinano ed amplificano i territori della composizione e dell’improvvisazione.<u></u><u></u></span></div>
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<span style="background-color: black; color: white;">La pubblicazione di questo suo nuovo testo serve appunto alla riflessione sull’essenza dell’elemento fondante dell’arte musicale, che può anche essere considerato l’aspetto primordiale della poetica schiaffiniana. Mi riferisco, ovviamente, all’ascolto. Le esperienze avute in diversi gruppi, che hanno consolidato la sua libera ed autonoma poetica musicale, sono esempi in mezzo a tante altre attività creative nelle quali ha partecipato Giancarlo Schiaffini in qualità di esecutore-compositore-<wbr></wbr>improvvisatore, che hanno celebrato l’ascolto come meccanismo indispensabile alla fenomenologia del discorso musicale.<u></u><u></u></span></div>
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<span style="background-color: black; color: white;"> La ricca diversità delle esperienze di Giancarlo Schiaffini rivela il segno indiscutibile di un approccio originalissimo, con cui egli ha seguito un variegato percorso formativo. Nella mia ricerca ho proposto, come categoria analitica, il <i>bíos mousikós</i> (<i>βίος μουσικός</i>) di Giancarlo Schiaffini, la sua vita musicale, che presenta come caratteristiche fondamentali, atte ad una maggiore comprensione della sua libertà artistica e politica, l’apertura e l’esercizio cosciente e intenzionale dell’ascolto.<u></u><u></u></span></div>
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<span style="background-color: black; color: white;">È l’universo percettivo totale, capace di generare meccanismi utili alla poetica sonora schiaffiniana, che costituisce la meraviglia dell’ascolto, il<i>tháuma akóuesthai</i> (<i>θαύμα ἀκούεσθαι</i>)<a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[2]</a>, che si riflette nella diversità dei suoi progetti e collaborazioni con le più svariate estetiche musicali. Il <i>tháuma akóuesthai</i>, come categoria di rappresentazione dell’ascolto, è l’aspetto udibile che presuppone la dinamica capacità mimetica del musicista che subisce la folgorazione sonora attraverso la sua azione come esecutore-compositore-<wbr></wbr>improvvisatore. Jean-Pierre Vernant riflette su una categoria correlata trovata nella dimensione simbolica della rappresentazione figurata:<u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><span style="font-size: 10pt;">La categoria della rappresentazione figurata non è un dato immediato dello spirito umano, un fatto naturale, costante e universale. È una categoria mentale che, nella sua elaborazione, presuppone che si siano già enucleati e nettamente delineati, nei loro reciproci rapporti e nella comune contrapposizione al reale, all’essere. Questa affermazione di una piena coscienza figurativa si verifica, in particolare, nello sforzo compiuto dagli antichi Greci per riprodurre in una materia inerte, per mezzo di artifici tecnici, l’aspetto visibile di chi, da vivo, manifesta improvvisamente allo sguardo il pregio della propria bellezza - divina bellezza - in quanto <i>thauma idesthai</i>, mirabile da vedere.</span><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[3]</a><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"> È l’ascolto, il mirabile da sentire, meraviglia dell’ascolto nell’esperienza schiaffiniana, la categoria che muove e che folgora l’orecchio, come nel dipinto di Cesare Tacchi<i> “Sentire”… Se dipingete, chiudete gli occhi e cantate (Pablo Picasso)</i><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[4]</a>. Seguendo le parole di Picasso, Tacchi crea un’assoluta allegoria dell’ascolto mettendo al centro del quadro il padiglione auricolare in mezzo a uno sfondo verde. Schiaffini compie la missione dell’azione libera, della sua tripla azione come esecutore-compositore-<wbr></wbr>improvvisatore, e prende l’orecchio, come in Tacchi (<i>ut pictura</i>), trasformandolo in riferimento centrale della sua poetica. Il suo operare indica la capacità intrinseca della musica di rendere udibile l’immaginazione creativa, come illustrato da Mikel Dufrenne che avvicina simbolicamente la pittura alla musica:<u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><span style="font-size: 10pt;"> Ainsi la musique imite-t-elle la peinture: elle est au musical ce que la peinture est au pictural. Car tout ce qui vient d’être dit de la musique pourrait l’être de la peinture, et l’est en bref dans un mot mille fois cité de Klee: <<la elle="" imite="" le="" n="" pas="" peinture="" rend="" visible.="" visible="">> Pareillement, la musique rend audible. Chaque art affirme énergiquement sa spécificité, et c’est en quoi ils sont semblables, en quoi, si l’on veut, la musique imite la peinture. Toutefois, cela n’autorise pas encore à penser qu’il y a de la peinture dans la musique, que la musique introduit ou admet du visible dans l’audible.</la></span><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[5]</a><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"> Questa spetrale apertura di Giancarlo Schiaffini all’universo musicale, lontano dallo stabilire limiti alla sua curiosità, o pregiudizi restrittivi, fa in modo che le sue esperienze musicali, dalla metà degli anni Sessanta fino ad oggi, abbiano come caratteristica principale l’eterodossia e l’ibridismo tra territori solitamente percepiti come diversi. È questa convivenza di stili che viene definita con <i>tháuma akóuesthai</i> (<i>θαύμα ἀκούεσθαι</i>), ovvero, meraviglia dell’ascolto condiviso tra diversi azioni, che sigillano un universo musicale esteticamente poliedrico, testimoniato qui da Giancarlo Schiaffini in prima persona. Per rendere leggibile le sue riflessioni sull’importanza dell’ascolto nelle sue esperienze musicali, Giancarlo Schiaffini ha preparato un saggio che serve come proposta di dialogo e che, oltre ad essere un gesto stimolante di generosità didattica, invita tutti gli amanti della musica ad un intelligente e riverberante rispecchiarsi. L’ascolto rappresenta, per la poetica musicale, il “soprano edificio del mondo” sonoro, l’Empireo della dimensione sublime della musica, lontana dalla mondanità della gloria e delle vanità banali del culto secolare della personalità e dei generi classificabili. Giancarlo Schiaffini propone al lettore un <i>convivium </i>all’interno della sua testimonianza, giacché tutti gli uomini desiderano sapere. La<i> Tragicommedia dell’Ascolto</i> è parte della sostanza della vita musicale di Giancarlo Schiaffini. Che cos’è il musicista, se non un essere capace d’agire ascoltando?<u></u><u></u></span></div>
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<span style="background-color: black; color: white;">Alípio Carvalho Neto<u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[1]</a> <span style="font-size: 10pt;">Alípio Carvalho Neto (2014). <i>La Musica Libera di Giancarlo schiaffini</i>, Tesi PhD, Università di Roma 2 “Tor Vergata”.</span><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[2]</a> <span style="font-size: 10pt;">Il concetto di “meraviglia”, del sostantivo neutro <i>tháuma</i> (<i>θαύμα</i>), lo si può riscontrare, per esempio, diluito nel Primo Libro della <i>Metafisica</i> di Aristotele, dove viene utilizzato <i>thaumázein</i> (<i>θαυμάζειν</i>), l’infinito del verbo <i>thaumázo</i>(<i>θαυμάζω</i>), per fare riferimento alla filosofia la quale nasce dalla “meraviglia”, che in realtà, sarebbe più opportuno tradurre con il lemma “spavento”, o anche “terrore”, “paura” rappresentando quel momento particolare che precede l’aprire gli occhi per la prima volta alla vita. Il termine <i>akóuesthai</i> (<i>ἀκούεσθαι</i>) è la forma infinita della voce media del verbo <i>akóuō</i> (<i>ἀκούω</i>), cioè, “ascoltare”, che si concentra sull’azione, appunto, dell’ascolto che agisce su se stesso, sfruttando la caratteristica riflessiva della voce media: “un ascoltare ascoltandosi”.</span><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[3]</a> <span style="font-size: 10pt;">Jean-Pierre Vernant (2010). <i>L’immagine e il suo doppio: Dall’era dell’idolo all’alba dell’arte</i>. Milano - Udine: Mimesis. pp. 67-68 </span><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[4]</a> <span style="font-size: 10pt;">Daniela Lancioni (a cura di) (2013) <i>Anni 70 arte a Roma</i>. Roma: Iacobelli Editore. p. 285</span><u></u><u></u></span></div>
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<span style="background-color: black; color: white;"><a href="https://www.blogger.com/blogger.g?blogID=8659616650912441000" name="14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9eb"></a><a href="https://mail.google.com/mail/?pli=1#14ce30520872e88b_14ce303d8894621e_14ce2ef49aeb56e5_14ce2e924251dd81_14ce2e449e64252e_14ce2d76159d7fc0_14ce2cd4bbab6dca_14cdc5076ab88878_14cdb4ec9c4bd4de_14cdb4aa8f8b1640_14cdb1f30228eeee_14cdb15599ceeba7_14cdb02f45a27b41_14c9aeb645663513_14c9aeacc4a9304e_14c4fcab3cc746eb_14c4fc95303540f0_14c13bc10db6be1e_14ba0dcd0367cd99_14b9ed8da03591b3_14b9ed698f550d09_14b9e" title="">[5]</a> <span style="font-size: 10pt;">Mikel Dufrenne (1991). <i>L’Œil et l’Oreille</i>. Paris: Jean-Michel Place. p. 181</span><u></u><u></u></span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-47309352952864277972015-01-23T16:08:00.003-08:002015-01-23T16:34:31.669-08:00Diaspora Mousikē - Gasteig München 29/01/2015<h1 class="eventHeadlineH1" style="font-family: Georgia, serif; font-size: 2.4em; font-weight: normal; line-height: 1.2em; margin: 0px 0px 40px; padding: 0px; text-align: center;">
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Diáspora Ensemble</span></span></h1>
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WELTMUSIK / ALTERNATIVE<br />THU, 29.01.15 / 8:00 PM / BLACK BOX<br />€ 17,–; ERM. € 14,–</span></span></h2>
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<span style="background-color: black;"><span style="color: white;">U. a. mit</span></span><br />
<span style="background-color: black;"><span style="color: white;">Andreas Martin Hofmeir (ECHO-Preisträger 2013), Tuba</span></span><br />
<span style="background-color: black;"><span style="color: white;">Barbara Stegemann, Oboe</span></span><br />
<span style="background-color: black;"><span style="color: white;">Mathias Lachenmayr, Schlagwerk</span></span><br />
<span style="background-color: black;"><span style="color: white;">Tobias Jackl, Klavier</span></span><br />
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<span style="background-color: black;"><span style="color: white;">FAChA Streichquartett</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Leitung: Gustavo Brinholi</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Das Kammermusik-Ensemble, gegründet von Gustavo Brinholi, Armando Lôbo und Alípio C. Neto, präsentiert in variabler Besetzung Weltmusik und zeitgenössische Musik. Die Künstler stammen aus verschiedenen Ländern und sind meist außerhalb ihres Heimatlandes tätig. Nach Konzerten in Brasilien und den USA kommt das Diáspora Ensemble mit einer Besetzung von neun Musikern wieder nach München.</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Zur Aufführung kommen Stücke von Armando Lôbo, Alípio C. Neto und Gustavo Brinholi (Brasilien), Daniele dal Monaco (Italien) und Rodrigo Navarro (Argentinien).</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Mit Unterstützung des KR</span></span><br />
<span style="background-color: black;"><span style="color: white;">(Deutsch-Brasilianischer Kulturverein e. V., Puchheim)</span></span></div>
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<a href="http://en.gasteig.de/events-and-tickets/events/di-spora-ensemble.html,v31842" style="background-color: black;" target="_blank"><span style="color: white;">http://en.gasteig.de/events-<wbr></wbr>and-tickets/events/di-spora-<wbr></wbr>ensemble.html,v31842</span></a></div>
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<a href="https://www.youtube.com/watch?v=n4f1ntJ6BJg" style="background-color: black;" target="_blank"><span style="color: white;">https://www.youtube.com/watch?<wbr></wbr>v=n4f1ntJ6BJg</span></a></div>
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<a href="http://www.diasporamousike.com/" style="background-color: black;" target="_blank"><span style="color: white;">http://www.diasporamousike.com</span></a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-33025014487137815102014-12-16T08:56:00.002-08:002014-12-16T08:57:58.877-08:00NEW RELEASE BY LUIZ MORETTO QUINTET "VAMPYROTEUTHIS INFERNALIS"<div style="text-align: center;">
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<span style="background-color: black; color: white; font-family: verdana, arial, helvetica, sans-serif;">Brazilian Luiz Moretto moved to Portugal in 2000 to work with Lisbon's African communities; he has performed with saxophonist Alípio C Neto for almost a decade and has been a PhD candidate in ethnomusicology at King's College London since 2012. On 'Vampyroteuthis Infernalis' he fuses the Afro-Brazilian rabeca (fiddle) with free jazz.</span></div>
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<span style="background-color: black; color: white;">The compositions are inspired by the rhythms of Afro-Brazilian music, which give the necessary freedom for intense improvisational interplays. It was Alípio's idea to invite experienced musicians from within the Italian free jazz culture, namely Francesco Lo Cascio, Gianfranco Tedeschi and Marco Ariano, whose combined experience and creativity pervade the music.</span></div>
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<span style="background-color: black; color: white;">Personnel: Luiz Moretto (violin, rabeca), Alípio C Neto (tenor and soprano saxophone, Brazilian bells, whistles), Francesco Lo Cascio (vibraphone, percussion), Gianfranco Tedeschi (double bass), Marco Ariano (drums, percussion)</span></div>
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<a href="http://www.amazon.co.uk/Vampyroteuthis-Infernalis-Luiz-Moretto-Quintet/dp/B00PZGX1IW" target="_blank"><span style="background-color: black; color: white;">http://www.amazon.co.uk/<wbr></wbr>Vampyroteuthis-Infernalis-<wbr></wbr>Luiz-Moretto-Quintet/dp/<wbr></wbr>B00PZGX1IW</span></a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-1310148950663360802014-11-18T16:07:00.004-08:002014-11-18T16:26:46.984-08:00ROMA 22/11/2014 - Alípio C Neto ospiti di Il VIAGGIO - musiche di Del Monaco, Økapi, Lôbo<img alt="" class="CToWUd a6T" height="196" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEiImTokgiN2Yd_TkYs0En9zF4Zvcrz_2nAVCTlpRkFbpYY2_0THqSmkQvg_MK3sPyJnTeyRgxOBFUPw7Vt_GOU2kZWkatgtbknwqKLArjdqGo90YV9lnuFxQ_NoPXXC7R8KlawDwIlp3WbNzDjZihXrycq5b1L-JeVmWncH1TSt7dYtTgVQX08TLZIuaykcMqpf1zz1pHll-D6lJtbZDSWzrumaOS6SNFAmfIa4zEcuDFg=s0-d-e1-ft" style="min-height: 489px; outline: 0px;" tabindex="0" width="400" /><br />
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<strong style="background-color: black;"><span style="color: white;">Sabato 22 Novembre 2014</span></strong><br />
<span style="background-color: black;"><span style="color: white;">ore 21:30</span></span><br />
<strong style="background-color: black;"><span style="color: white;">51° Festival di Nuova Consonanza</span></strong><br />
<span style="background-color: black;"><span style="color: white;">Teatro di Tor Bella Monaca – Roma</span></span></div>
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<span style="background-color: black;"><span style="color: white;">biglietti: intero 10 euro / ridotto 5 euro</span></span></div>
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<span style="background-color: black;"><span style="color: white;">info: <a href="tel:06.3700323" target="_blank">06.3700323 </a>- <a href="http://www.nuovaconsonanza.it/" target="_blank">www.nuovaconsonanza.it</a></span></span></div>
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<strong style="background-color: black;"><span style="color: white;">PROGRAMMA</span></strong><br />
<span style="background-color: black;"><span style="color: white;"><strong>Balletto Meccanico </strong> Antheil/Økapi</span></span><br />
<span style="background-color: black;"><span style="color: white;"><strong>Quinta essenza</strong>* Armando Lôbo</span></span><br />
<span style="background-color: black;"><span style="color: white;"><strong>Calunga! </strong> Armando Lôbo</span></span><br />
<span style="background-color: black;"><span style="color: white;"><strong>Nuovo mondo</strong>* Daniele Del Monaco</span></span><br />
<span style="background-color: black;"><span style="color: white;"><strong>Voglio vivere ai tropici!</strong>** Daniele Del Monaco</span></span></div>
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<span style="background-color: black;"><span style="color: white;">*prima assoluta</span></span><br />
<span style="background-color: black;"><span style="color: white;">**prima esecuzione nella versione con l’organo</span></span></div>
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<strong style="background-color: black;"><span style="color: white;">ENSEMBLE LCP</span></strong></div>
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<strong style="background-color: black;"><span style="color: white;">Daniele Del Monaco</span></strong><br />
<em style="background-color: black;"><span style="color: white;">tastiere e direzione</span></em></div>
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<strong style="background-color: black;"><span style="color: white;">Luca Bloise, Fabio Cuozzo, Josè Mobilia, Giulia Mazzilli</span></strong><br />
<em style="background-color: black;"><span style="color: white;">percussioni</span></em><br />
<span style="background-color: black;"><span style="color: white;">video mapping LCP</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Con la partecipazione straordinaria di <strong>Alípio Carvalho Neto</strong></span></span></div>
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<span style="background-color: black;"><span style="color: white;">Un concerto con <strong>prime assolute</strong> di compositori contemporanei nato dalla collaborazione italo-brasiliana LCP e il gruppo di autori e interpreti brasiliani <strong>Diaspora</strong>, il compositore <strong>Armando Lôbo</strong> e il turntablist <strong>Økapi</strong>.</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Musiche di autori italiani e brasiliani evocano i luoghi desiderati, e le fantasie di evasione che si sviluppano nel mondo contemporaneo. Nello spettacolo emergono visioni del moderno che trovano un comune accordo nella dimensione rituale di una festa che celebra la diversità.</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Un viaggio attraverso musiche apparentemente distanti nello spazio e nel tempo che hanno in comune la ricerca utopica di un rifugio e il contatto col magico. Un territorio sconfinato di aspirazioni, ambizioni, pulsioni emotive e desideri, che va dall’atarassia e catarsi collettiva ricercata nel suggestivo affresco musicale di Del Monaco (<em><strong>Voglio vivere ai tropici!</strong></em>, <em><strong>Nuovo Mondo</strong></em>), la magia degli automi voluta da Antheil e Leger nel <em><strong>Balletto Meccanico</strong></em> (1924) e reinterpretata dal turntablist <strong>Økapi</strong>, fino al desiderio di evasione nel sofisticato e ironico mondo rurale di <strong>Lôbo</strong> (<em><strong>Calunga!</strong></em>,<em><strong> Quinta essenza</strong></em>).</span></span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-12651757460910723242014-08-20T12:34:00.000-07:002014-08-21T01:35:12.650-07:00ALÍPIO CARVALHO NETO Sassofono, fiati ed elettronica - solo performance Venerdì 22 agosto 2014, ore 21.30, Treviso - EARly & TEATRO CAPOVOLTO<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: 'Times New Roman', serif; font-size: 12pt;">EARly e Teatro Capovolto</span></div>
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<b><span style="color: #073763; font-family: Helvetica, sans-serif; font-size: 18pt;">ALÍPIO CARVALHO NETO</span></b></div>
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<b><b><span style="color: #073763; font-family: Helvetica, sans-serif;"><span style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;"><span style="font-size: 16pt;">Sassofono, </span></span><span style="font-size: 21px;">fiati</span><span style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;"><span style="font-size: 16pt;"> ed elettronica - solo performance</span></span></span></b></b></div>
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<b><span style="color: #073763; font-family: Helvetica, sans-serif; font-size: 12pt;">Venerdì 22 agosto 2014, ore 21.30</span></b></div>
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<span style="font-size: 12pt;">Verrà chiesto un contributo per la serata.</span></div>
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<span style="font-size: 12pt;">Per INFO e PRENOTAZIONI: cell. 348-8120557, 340-2519136</span></div>
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<span style="font-family: 'Times New Roman', serif; font-size: 12pt;"><span style="font-size: 12pt;">Si ringrazia per la collaborazione TEATRO CAPOVOLTO:</span></span></div>
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<span style="font-family: 'Times New Roman', serif; font-size: 12pt;"><a href="http://www.teatrocapovolto.org/" style="color: #1155cc; font-size: 12pt;" target="_blank">www.teatrocapovolto.org</a></span></div>
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<a href="http://www.facebook.com/pages/Teatro-Capovolto/315275978602196" style="color: #1155cc;" target="_blank"></a><a href="http://www.facebook.com/pages/Teatro-Capovolto/315275978602196" style="color: #1155cc; font-size: 12pt;" target="_blank"><span style="color: windowtext; text-decoration: none;">www.facebook.com/pages/Teatro-<wbr></wbr>Capovolto/315275978602196</span></a></div>
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<span style="font-family: 'Times New Roman', serif; font-size: 12pt;">Via Brigata Marche, 6</span></div>
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<b><span style="color: #073763; font-family: Helvetica, sans-serif; font-size: 12pt;">ALÍPIO CARVALHO NETO</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">Nato a Floresta, nello Stato del Pernambuco (Brasile), inizia i suoi studi musicali frequentando la Scuola di Musica di Brasilia. Compositore, poeta e saggista, nel 1997 si è trasferito in Portogallo, come borsista dell’Istituto Culturale di Macao e il Ministero della Cultura del Brasile (Bolsa Virtuose) dove ha portato avanti ricerche presso l'Università di Évora nel campo della musica e della letteratura, in particolare cinese ed araba.</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">Ha diretto due formazioni internazionali, la IMI Kollektief, il cui disco Snug As A Gun ha ottenuto 4 stelle nel rinomato The Penguin Guide to Jazz Recordings - Ninth edition (Richard Cook e Brian Morton), e il quintetto Wishful Thinking, con l’incisione dal titolo omonimo, Wishful Thinking, entrambe pubblicate dalla Clean Feed Records.<br />Il passo successivo è stato la formazione, a New York, di un quartetto, l’Alipio C Neto Quartet, con il quale ha suonato e registrato le sue composizioni, riunendole nell’album The Perfume Comes Before the Flower (Clean Feed, 2007), eletto dalla critica americana ed europea come tra i migliori dell'anno. Questo passaggio si è rivelato decisivo per il suo riconoscimento come una delle voci più originali delle avanguardie del jazz contemporaneo. Con una discografia che supera già una dozzina di titoli in varie major, Alipio ha inciso con la casa discografica Terre Sommerse If Not – Progetto Guzman / Omaggio a Mario Schiano, che è stato ampiamente elogiato dalla critica italiana e internazionale.<br />Alípio Carvalho Neto è dottorando di ricerca in Storia, Scienze e Tecniche della Musica presso l'Università di Roma "Tor Vergata".<br /></span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">"Neto, sax soprano e tenore, rilegge magnificamente, con delicatezza, la storia del jazz post-free."</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">"He's a hugely intelligent, literate man and his music has a surpassing thoughtfulness underneath the sometimes jagged and anguished exterior. A Brazilian from Pernambuco, the feel of the arid sertão is a constant presence in these windswept compositions."</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">- Brian Morton, WIRE</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">When Neto finally solos, he’s a radical melodist, creating a continuum of abrasions and graces, building from great low blasts through sudden upper-range skitters and hollow-voiced mid-range lines. Like the first, each of Neto`s compositions contain multiple themes that are welded together by the ensemble, often creating a feeling suspended between through-composition and collective improvisation. Clearly every player here is engaged by Neto's intensity of purpose."</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">- Stuart Broomer, Signal to Noise</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">"La présence et la sonorité du saxophoniste Alípio C Neto évoque avec une certaine coïncidence au soprano et au ténor, le légendaire Charles Brackeen, compagnon de Dennis Gonzalez dans les années’80 et aujourd’hui disparu. Le même Charles Brackeen avait enregistré le fabuleux disque « Dance » (Paul Motian Trio ECM 1977 avec le bassiste David Izenson)."</span></b></div>
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<b><span style="font-family: 'Times New Roman', serif; font-size: 10pt;">- Jean-Michel Van Schouwburg, Improjazz</span></b></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-28558824662768850742014-07-17T04:03:00.000-07:002014-07-17T04:17:50.718-07:00INVITO - 17 Luglio - Ensemble LCP - musiche di Daniele Del Monaco, Økapi, Armando Lôbo, Alípio C Neto, Marco Ariano, Stefano Cogolo ET ALII<div class="separator" style="clear: both; text-align: center;">
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<br />Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-60918670198094867032014-05-26T14:50:00.002-07:002014-05-26T14:51:37.457-07:00Alípio C Neto | Ezio Peccheneda (DUETTO) - 24 maggio 12:00 / Ambasciata del Brasile ROMA<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYT2rs3yo4tBQpVVeNd53NEISzU6urVn2zJ35U0VuTeH6QC0E5R_0cJmOZT3BxAZgVeklMetrQTlFW2zukjh0Uoob2CDjF2MdUMhqBOgCy8U_V8JIvKm9dFLEr-O2yIN-xlk1iK76t2PG-/s1600/10302117_10203576111740546_675959698689524783_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYT2rs3yo4tBQpVVeNd53NEISzU6urVn2zJ35U0VuTeH6QC0E5R_0cJmOZT3BxAZgVeklMetrQTlFW2zukjh0Uoob2CDjF2MdUMhqBOgCy8U_V8JIvKm9dFLEr-O2yIN-xlk1iK76t2PG-/s1600/10302117_10203576111740546_675959698689524783_n.jpg" height="400" width="400" /></a></div>
Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-81393844729850270622014-05-22T14:21:00.000-07:002014-05-22T14:45:17.784-07:00Alípio C Neto (PARIS) - JE "Actualité de la recherche en jazz" + Concerts <br />
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<u><b><span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Mercredi 14/05 - 20h30</span></b></u></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Alípio C Neto - Saxophone</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Fred Lyra - guitarre</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Marco Quaresimin - Contrebasse</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Fran Cossavella - Batterie</span></div>
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<u><b><span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Jeudi 15/05 - 20h30</span></b></u></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Alípio C Neto - Saxophone</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Fred Lyra - guitarre</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Yoram Rosilio - Contrebasse</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Guillaume Béguinot - Batterie</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Au Chat Noir - <span style="line-height: 16.1200008392334px;">76, Rue Jean-Pierre Timbaud, 75011 Paris</span></span></div>
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<u><b><span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Lundi 19/05 - 20h30</span></b></u></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Alípio C Neto - Saxophone</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">Fred Lyra - guitarre</span></div>
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<span style="line-height: 19.91111183166504px;"><span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">10, Rue de la Granges aux Belles, 75010</span></span></div>
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<span style="background-color: black;"><span style="color: white;"><span style="font-family: Arial, Helvetica, sans-serif; line-height: 19.91111183166504px;">(métro </span><span style="font-family: Arial, Helvetica, sans-serif; line-height: 19px;">Coronel Fabien)</span></span></span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif;">https://www.facebook.com/CHEZADEL</span></div>
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<span style="background-color: black; color: white; font-family: Arial, Helvetica, sans-serif; line-height: 19px;">Au plaisir de vous y retrouver!</span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-68742267677288266652014-04-25T04:45:00.000-07:002014-04-25T04:45:54.692-07:00GIORGIO GASLINI E LA MUSICA TOTALE - 28 aprile alle 11:00 / Università di Roma 2 Tor Vergata<div class="separator" style="clear: both; text-align: center;">
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-28057412955289525572014-04-24T03:24:00.000-07:002014-04-24T03:29:07.919-07:00Alípio C Neto | Luiz Moretto + Javier Moreno + Marco Valeri - Sabato 26 aprile, ore 21:00 / ALTREVIE, via Caffaro 10, ROMA<div style="text-align: center;">
<b style="font-family: arial, sans-serif; font-size: 13px;"><span style="background-color: black; color: white; font-size: 14pt;">Sabato 26 aprile – Il Canto dei Popoli: TRA JAZZ E DIASPORA AFRICANA</span></b></div>
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<span style="background-color: black; color: white; font-size: 14pt;">Alípio C Neto e Luiz Moretto in concerto sincretico tra la grande musica jazz e le radici africane. Ore 21, via Caffaro 10. </span></div>
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<span style="font-family: arial, sans-serif; font-size: 14pt;"><span style="background-color: black; color: white; font-size: 14pt;">A TUTTI, BUON 25 APRILE!! </span></span></div>
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<span style="font-family: arial, sans-serif; font-size: 14pt;"><span style="background-color: black; color: white;"><a href="http://www.altrevie.it/" target="_blank"></a><a href="http://www.altrevie.it/" style="font-size: 14pt;" target="_blank">www.altrevie.it</a></span></span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-225096756275167872014-03-25T04:15:00.002-07:002014-03-25T04:32:48.463-07:00Alípio C Neto / jazzColours (Anno VII, numero 3 -- Marzo/2014)<div class="separator" style="clear: both; text-align: center;">
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<strong><b><span style="font-family: 'Trebuchet MS'; font-size: 11pt;">SOMMARIO Marzo 2014 (Anno VII, n.3)</span></b></strong></div>
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<span style="font-family: 'Trebuchet MS'; font-size: 10pt;"><span style="font-size: 10pt;"> </span><span style="font-size: 10pt;"> </span><span style="font-size: 10pt;">8 - Alípio C Neto, caos organizzato, progresso e libertà</span></span></div>
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<span style="font-family: 'Trebuchet MS'; font-size: 10pt;"><span style="font-size: 10pt;">14 - Kaja Draksler, tante vite da suonare</span></span></div>
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<span style="font-family: 'Trebuchet MS'; font-size: 10pt;"><span style="font-size: 10pt;">19 - Jason Stein, un ponte sulla creatività</span></span></div>
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<span style="font-size: 10pt;">23 - jazz&arts: Jonathan Cusick, caricature jazzistiche</span></div>
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<span style="font-size: 10pt;">26 - Recensioni CD</span></div>
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<span style="font-size: 10pt;"> Focus on: Dave Holland "Prism"</span></div>
<div style="text-align: center;">
<span style="font-size: 10pt;"> I 5 dischi imprescindibili di Greg Burk</span></div>
<div style="text-align: center;">
<span style="font-size: 10pt;">33 - Black&White: Nate Wooley "Seven Storey Mountain III & IV"</span></div>
<div style="text-align: center;">
<span style="font-size: 10pt;">(e inoltre: Zlatko Kaucic Trio, Tiger Hatchery, Albertucci/Ambroziak, Stranahan-Zaleski-</span><span style="font-size: 10pt;">R</span><span style="font-size: 10pt;">osato, Stazioni Sonore, Mozdzer-</span><span style="font-size: 10pt;">Danielsson</span><span style="font-size: 10pt;">-Fresco, Taylor Ho Bynum,</span><span style="font-size: 10pt;"> </span><span style="font-size: 10pt;">Die Hochstapler, Gordon Grdina & Mark Helias, </span><span style="font-family: 'Trebuchet MS'; font-size: 10pt;">ZZ Quartet, Roberto Ottaviano, LAB Trio</span><span style="font-family: 'Trebuchet MS'; font-size: 10pt;">)</span></div>
</span><span style="font-family: 'Trebuchet MS'; font-size: 10pt;"></span><br />
<div style="text-align: center;">
<span style="font-family: 'Trebuchet MS'; font-size: 10pt;"><span style="font-size: 10pt;">34 - Eventual</span><span style="font-size: 10pt;">i</span></span></div>
<span style="font-family: 'Trebuchet MS'; font-size: 10pt;">
</span>
<br />
<div style="text-align: center;">
<span style="font-family: 'Trebuchet MS'; font-size: 10pt;"><span style="font-size: 10pt;"><br /></span></span></div>
<span style="font-family: 'Trebuchet MS'; font-size: 10pt;">
</span>
<div style="text-align: center;">
<a href="http://www.jazzcolours.it/" target="_blank">http://www.jazzcolours.it</a></div>
<span style="font-family: 'Trebuchet MS'; font-size: 10pt;">
</span>Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-83412064636986361042014-02-25T02:36:00.001-08:002014-02-25T09:31:15.819-08:00"Moy Majakovskij" di Antonio Ferrara - Teatro Arvalia / Roma 2 marzo 2014, ore 17:30<div class="separator" style="clear: both; text-align: center;">
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<br />Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-65993096729213694222014-02-25T01:30:00.000-08:002014-02-25T09:31:03.117-08:00Giancarlo Schiaffini "L'improvvisazione non si improvvisa" - Palazzo delle Esposizioni / Roma 28 febbraio 2014, ore 18:00<div class="MsoNormal">
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<span style="font-family: Verdana;">Palazzo delle Esposizioni,
Roma<o:p></o:p></span></div>
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<span style="font-family: Verdana;">Auditorium e Sale della
mostra<o:p></o:p></span></div>
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<span style="font-family: Verdana;">Venerdì 28 febbraio ore
18.00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">L’improvvisazione
non si improvvisa<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Alvin Curran, Alípio
Carvalho Neto, Giovanni Guaccero, Alessandro Sbordoni, Giancarlo Schiaffini<o:p></o:p></span></b></div>
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<span style="font-family: Verdana;">Nell’ambito della mostra
“Anni 70. Arte a Roma” si terrà un concerto di musica improvvisata preceduto
dalla presentazione del libro di Giancarlo Schiaffini, <i style="mso-bidi-font-style: normal;">E non chiamatelo Jazz</i>, Auditorium edizioni, Milano 2011.<o:p></o:p></span></div>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Ore
18.00 Auditorium <o:p></o:p></span></div>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Presentazione
del libro con la partecipazione di <b style="mso-bidi-font-weight: normal;">Alvin
Curran, Alípio Carvalho Neto, Giovanni Guaccero, Alessandro Sbordoni e
dell’autore.<o:p></o:p></b></span></div>
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<span style="font-family: Verdana;">A seguire nelle sale della
mostra concerto di musica improvvisata con <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Alvin Curran, </span></b><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Campionatore<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Alípio Carvalho Neto,</span></b><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;"> Sassofono<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Giancarlo
Schiaffini, </span></b><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Trombone<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlvF85V27CQGFMNTk9v7vBcZOcVmmfle0up2Zp7t3KFFLtjhFxSosmJ8YG9KMaQVxbJC3g1yKHneS1DDNBOmaBWrlqOex6HOmvfZtmJpsCjazqnq_FG9jjUxwHAG3XKti6xcMtu9wpqre/s1600/IMG_9693-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlvF85V27CQGFMNTk9v7vBcZOcVmmfle0up2Zp7t3KFFLtjhFxSosmJ8YG9KMaQVxbJC3g1yKHneS1DDNBOmaBWrlqOex6HOmvfZtmJpsCjazqnq_FG9jjUxwHAG3XKti6xcMtu9wpqre/s1600/IMG_9693-2.jpg" height="213" width="320" /></a></div>
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<span style="font-family: Verdana;">Che ruolo riveste
l'improvvisazione nelle diverse espressioni della musica d'oggi, jazz, etnica,
colta, elettronica...? Giancarlo Schiaffini lo spiega nel libro <i style="mso-bidi-font-style: normal;">E non chiamatelo Jazz</i> (Auditorium
edizioni, Milano 2011) con humour e competenza, attraverso le sue molte
esperienze sul campo e alla luce della collaborazione con i maggiori
protagonisti della musica contemporanea internazionale. <o:p></o:p></span></div>
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<span style="font-family: Verdana;">Alle ore 18.00
nell’Auditorium del Palazzo delle Esposizioni parleranno del libro i musicisti
e musicologi </span><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Alvin
Curran, Alípio Carvalho Neto, Giovanni Guaccero, Alessandro Sbordoni insieme
all’autore.<o:p></o:p></span></div>
</div>
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<br /></div>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">Nelle
sale della mostra seguirà un concerto di musica improvvisata.<o:p></o:p></span></div>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">L’improvvisazione
in musica è stata una pratica in auge nel corso degli anni settanta. Una scelta
espressiva abbracciata da numerosi musicisti alcuni dei quali hanno anche dato
vita a <i style="mso-bidi-font-style: normal;">ensemble</i> dedicati
all’improvvisazione, come i mitici Musica Elettronica Viva (MEV), Gruppo Romano
Free Jazz (GRFJ) e il Gruppo di Improvvisazione di Nuova Consonanza (GINC). Due
tra i maggiori protagonisti di quella fertile e coraggiosa stagione, Alvin
Curran e Giancarlo Schiaffini, insieme ad Alípio Carvalho Neto daranno un
esempio dello stato dell’arte dell’improvvisazione oggi. </span><span style="font-family: Verdana;"><o:p></o:p></span></div>
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<div style="text-align: center;">
<span style="font-family: Verdana;">L’ingresso alla
presentazione del libro è gratuito fino a esaurimento posti con entrata dalla
scalinata di Via Milano, al concerto si accede con il biglietto di ingresso
alla mostra.<o:p></o:p></span><br />
<span style="font-family: Verdana;"><br /></span>
<span style="font-family: Verdana;"><a href="http://www.palazzoesposizioni.it/categorie/anni-settanta-roma-in-mostra" target="_blank">http://www.palazzoesposizioni.it/categorie/anni-settanta-roma-in-mostra</a></span></div>
</div>
Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-54026676664722202872014-02-18T11:18:00.000-08:002014-02-18T11:39:35.178-08:00Alípio C Neto Quartetto Brasile - 19/02/2014 AMBASCIATA DEL BRASILE ROMA<div style="text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;">Alípio C Neto Quartetto Brasile</span></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBRz-gNXn6DnPzxjWRttuppaFWMTzmytxfCROjU3_3Nmwfr5gDQv1OGtIqTYFXkGz1D-4W6znKxUd6iXN0JnSpNTG0K5f-SNMpjq81yGtHCs2MN6_dazbgfLNcAl9WlAtQCPpcDeojM3yV/s1600/IMG_9157.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBRz-gNXn6DnPzxjWRttuppaFWMTzmytxfCROjU3_3Nmwfr5gDQv1OGtIqTYFXkGz1D-4W6znKxUd6iXN0JnSpNTG0K5f-SNMpjq81yGtHCs2MN6_dazbgfLNcAl9WlAtQCPpcDeojM3yV/s1600/IMG_9157.jpg" height="320" width="213" /></a></div>
<div style="text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Alípio C Neto - sassofoni</span></div>
<div style="text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Ezio Peccheneda - chitarra</span></div>
<div style="text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Javier Moreno - contrabbasso</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Marco Ariano - percussioni</span></div>
<div class="separator" style="clear: both; text-align: center;">
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<div style="margin: 0px;">
<br /></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Ambasciata del Brasile Roma</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">19 febbraio 2014</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">ore 20:00</span></div>
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<br /></div>
<div style="text-align: center;">
<br /></div>
Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-49842881994020216622014-01-03T12:51:00.000-08:002014-01-03T12:54:15.880-08:00BLUTOPIA CONCERTI: Neto / Schiaffini / Lyra TRIO - ROMA 10 Gennaio 2014<br />
<div class="gmail_quote" style="border: 0px; color: #bebebe; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Venerdì 10 Gennaio 2014 </span>ore 19.30</strong></span></span><a href="http://www.blutopia.it/wp-content/uploads/2014/01/page_one_schiaffini.jpg" style="border: 0px; color: white; font-family: Bevan, Rockwell, Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.5; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="alignright size-medium wp-image-4030" height="202" src="http://www.blutopia.it/wp-content/uploads/2014/01/page_one_schiaffini-300x202.jpg" style="border: 0px; display: inline; float: right; font-size: 12px; height: auto; margin: 4px 0px 12px 24px; max-width: 100%; outline: 0px; padding: 0px; vertical-align: baseline;" title="page_one_schiaffini" width="300" /></a><a href="http://www.blutopia.it/wp-content/uploads/2014/01/unnameld.png" style="border: 0px; color: white; font-family: Bevan, Rockwell, Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.5; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="" class="alignright size-medium wp-image-4031" height="200" src="http://www.blutopia.it/wp-content/uploads/2014/01/unnameld-300x200.png" style="border: 0px; display: inline; float: right; font-size: 12px; height: auto; margin: 4px 0px 12px 24px; max-width: 100%; outline: 0px; padding: 0px; vertical-align: baseline;" title="unnameld" width="300" /></a></div>
<div style="border: 0px; color: #bebebe; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; outline: 0px; padding: 0px; vertical-align: baseline;">
<br /></div>
<div style="border: 0px; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="color: #bebebe;">
<span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span><span style="border: 0px; color: maroon; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span></span></div>
<div style="color: #bebebe;">
<span style="border: 0px; color: maroon; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span></span></div>
<div style="color: #bebebe;">
<span style="border: 0px; color: maroon; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span></span></div>
<div style="color: #bebebe;">
<span style="border: 0px; color: maroon; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span></span></div>
<span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; color: white; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Neto / Schiaffini / Lyra TRIO</strong></span></span><br />
<span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; color: white; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /></strong></span></span></div>
<div class="gmail_quote" style="border: 0px; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div dir="ltr" style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div class="gmail_quote" style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div dir="ltr" style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
</div>
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="border: 0px; color: white; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Alípio C Neto</span> <span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">-</span></strong><span style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> sassofono tenore e soprano</span></span></div>
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="border: 0px; color: white; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Giancarlo Schiaffini</span> </strong><span style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">-</span> <span style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">trombone</span></span></div>
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="border: 0px; color: white; font-size: small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Fred Lyra </span><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">-</span></strong><span style="border: 0px; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> chitarra elettrica</span></span></div>
<div style="border: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="color: white;"><br /></span></div>
</div>
<div style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
</div>
</div>
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<div style="border: 0px; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
</div>
<div style="border: 0px; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
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<span style="color: white;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;">Giancarlo Schiaffini</span>: figura storica della musica d’avanguardia in Italia. Membro della Instabile Orchestra, Schiaffini ha lavorato con artisti come </span></strong><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Mario Sch</span></strong></span><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">iano, Lol Coxhill, Andrea Centazzo e Thurston Moore </span></strong><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">dei Sonic Youth. Come esecutore, compositore e improvvisatore ha collaborato con il Gruppo di Improv</span></strong></span><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">visazione di Nuova Consonanza, Nuove Forme Sonore, Luigi Nono, John Cage…</span></strong></span></span></div>
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<span style="border: 0px; color: white; font-family: 'trebuchet ms', sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br /><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></strong></span></div>
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<strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; color: white; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;">Alípio C Neto</span>, sassofonista, compositore, poeta e saggista, nel 1997 si è trasferito in Portogallo, come borsista dell’Istituto Culturale di Macao e il Ministero della Cultura del Brasile (Bolsa Virtuose) dove ha portato avanti ricerche presso l’Università di Évora nel campo della musica e della letteratura, in particolare cinese ed araba.</span></strong></div>
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<strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: white;"><span style="border: 0px; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">Ha diretto due formazioni internazionali, la IMI Kollektief e il quintetto Wishful Thinking, con l’incisione dal titolo omonimo, Wishful Thinking, entrambe pubblicate dalla Clean Feed Records.</span><br style="font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; text-align: justify;" /><span style="border: 0px; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">Il passo successivo è stato la formazione, a New York, di un quartetto con il quale ha suonato e registrato le sue composizioni per l’album The Perfume Comes Before the Flower (Clean Feed, 2007), eletto dalla critica americana ed europea come tra i migliori dell’anno. Questo passaggio si è rivelato decisivo per il suo riconoscimento come una delle voci più originali delle avanguardie del jazz contemporaneo.</span><br style="font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; text-align: justify;" /><span style="border: 0px; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">Alípio Carvalho Neto è dottorando di ricerca in Storia, Scienze e Tecniche della Musica presso l’Università di Roma “Tor Vergata”.</span></span></strong></div>
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<span style="border: 0px; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; color: white; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration: underline; vertical-align: baseline;">Fred Lyra</span>: chitarrista e compositore brasiliano, attualmente in Francia dove sta lavorando ad una tesi sulla musica di Steve Coleman.</strong></span></span></div>
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<a href="https://soundcloud.com/mojavduo/mojav-duo-al-pio-c-neto-e-1" style="border: 0px; color: white; font-family: Bevan, Rockwell, Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.5; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">https://soundcloud.com/</span><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">mojavdu<wbr></wbr>o/mojav-duo-al-pio-c-</span><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">neto-e-1</span></a></div>
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<a href="https://soundcloud.com/mojavduo/sets/mojav-duo-al-pio-c-neto-e" style="border: 0px; color: white; font-family: Bevan, Rockwell, Helvetica, Arial, sans-serif; font-size: 15px; line-height: 1.5; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">https://soundcloud.com/</span><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">mojavdu<wbr></wbr>o/sets/mojav-duo-al-</span><span style="border: 0px; color: #0066cc; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">pio-c-<wbr></wbr>neto-e</span></a></div>
<span style="color: #bebebe; font-family: Arimo, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px;">- See more at: http://www.blutopia.it/2014/01/blutopia-concerti-neto-schiaffini-lyra-trio/#sthash.zUtiBGyS.dpuf</span>Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-20171314882273370442014-01-03T12:47:00.001-08:002014-01-03T12:49:24.588-08:00Alípio C Neto | Fred Lyra Casse-Tet - ROMA 08, 09 e 11 Gennaio 2014<div style="text-align: center;">
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<span style="background-color: black; color: white; font-family: arial, sans-serif; font-size: 13px;">Alípio C Neto | Fred Lyra Casse-Tet </span></div>
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<span style="background-color: black;"><span style="color: white;">Alípio C Neto - sassofoni tenore e soprano</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Fred Lyra - chitarra</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Stefano Cogolo - flauti</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Francesco Lo Cascio - vibrafono</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Javier Moreno - contrabbasso</span></span></div>
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<span style="background-color: black;"><span style="color: white;">Marco Ariano - batteria e percussioni</span></span></div>
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<span style="background-color: black;"><span style="color: white;">08/01, ore 22:30 / Forte Fanfulla</span></span></div>
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<span style="background-color: black;"><span style="color: white;">09/01, ore 21:30 / Baffo della Gioconda </span></span></div>
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<span style="background-color: black;"><span style="color: white;">11/01, ore 21:00 / Altrevie </span></span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-65418147099905347902013-12-05T13:56:00.000-08:002013-12-06T01:50:29.902-08:00LA IATO ORCHESTRA DIRETTA DA ALVIN CURRAN<div style="font-family: 'bookman old style', 'new york', times, serif; text-align: center;">
<span style="font-size: x-large; font-weight: bold;">ALVIN CURRAN </span></div>
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<span style="font-weight: bold;">Alvin Curran dirige Iato Orchestra </span><span style="font-size: 13.3333px;"><br clear="none" /></span></div>
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giovedì 12 Dicembre, alle 21.30</div>
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<span style="font-family: 'bookman old style', 'new york', times, serif;"><span style="font-weight: bold;">Angelo Mai Altrove Occupato</span> </span></div>
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<span style="font-family: 'bookman old style', 'new york', times, serif; font-size: 10pt;">Viale delle Terme di Caracalla, 55/a, 00153 Roma</span> <span style="font-family: 'bookman old style', 'new york', times, serif; font-size: 10pt;"><span style="font-weight: bold; margin-right: 4px;">Tel.</span>329 448 1358</span></div>
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<span style="font-size: 10pt;"><span style="font-size: 10pt;">Alvin Curran dirige Iato Orchestra</span><span style="font-size: 10pt;"> </span></span></div>
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<span style="font-size: 10pt;"><span style="font-size: 10pt;">Alvin Curran - direzione</span></span></div>
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<span style="font-size: 10pt;"><span style="font-size: 10pt;">Mike Cooper - lap steel guitar</span></span></div>
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<span style="font-size: 10pt;">Roberto Bellatalla - contrabbasso</span></div>
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<span style="font-size: 10pt;">Gianfranco Tedeschi - contrabbasso</span></div>
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<span style="font-size: 10pt;">Stefano Acunzo - basso elettrico</span></div>
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<span style="font-size: 10pt;">Elio Martusciello - chitarra elettrica</span></div>
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<span style="font-size: 10pt;">Errico De Fabritiis - sassofono alto</span></div>
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<span style="font-size: 10pt;">Alberto Popolla - clarinetto basso</span></div>
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<span style="font-size: 10pt;">Noel Taylor - clarinetto</span></div>
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<span style="font-size: 10pt;">Sebi Tramontana - trombone</span></div>
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<span style="font-size: 10pt;">Davide Piersanti - trombone</span></div>
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<span style="font-size: 10pt;">Enrica Vatteroni - trombone</span></div>
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<span style="font-size: 10pt;">Mario Camporeale - trombone</span></div>
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<span style="font-size: 10pt;">Ersilia Prosperi - tromba</span></div>
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<span style="font-size: 10pt;">Stefano Di Cicco - tromba</span></div>
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<span style="font-size: 10pt;">Luca Venitucci - fisarmonica,pianoforte</span></div>
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<span style="font-size: 10pt;">Stefano Tedesco - vibrafono</span></div>
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<span style="font-size: 10pt;">Eleonora Bruni - voce</span></div>
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<span style="font-size: 10pt;">Antonia Gozzi - elettronica</span></div>
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<span style="font-size: 10pt;">Simone Pappalardo - elettronica</span></div>
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<span style="font-size: 10pt;">Franz Rosati - elettronica</span></div>
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<span style="font-size: 10pt;">Luca Tilli - violoncello</span></div>
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<span style="font-size: 10pt;">Tiziano Carone - viola</span></div>
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<span style="font-size: 10pt;">Fabrizio Spera - batteria</span></div>
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<span style="font-size: 10pt;">Cristiano De Fabritiis - batteria</span></div>
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<span style="font-size: 10pt;">Riccardo Labarbera - elettronica</span></div>
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<span style="font-size: 10pt;">Aurora Barbatelli - arpa</span></div>
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<span style="font-size: 10pt;">Alexander "Zar" Caric - mandolino,voce</span></div>
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<span style="font-size: 10pt;">Biagio Orlandi - sassofoni</span></div>
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Alípio C Neto - sassofoni</div>
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La collaborazione tra Alvin Curran, Orchestra Iato e Angelo Mai Altrove Occupato nasce nel corso del 2012 con una serie di concerti in cui Curran inizia a sperimentare con l’orchestra trasformandola In breve tempo in un vero e proprio strumento. Un corpo sonoro flessibile e rimodellabile, attraverso il metodo diretto della “conduction”. L’orchestra comprende musicisti molto diversi per estrazione, stile, e grado di esperienza. Al suo interno troviamo improvvisatori, jazzisti, sperimentatori, musicisti classici, folk, elettronici e membri di ensemble bandistici. Un organismo complesso e di ampia sfaccettatura, una molteplicità apparentemente incontrollabile, ma in sorprendente sintonia con la natura altrettanto aperta e articolata del maestro Curran.<br />
In chiusura della stagione 2013 si è deciso di riunire ancora una volta l’orchestra per una breve, ma significativa residenza presso l’Angelo Mai. Il programma prevede tre giorni di lavoro, tra cui, prove, registrazioni di studio, e un concerto conclusivo, o meglio, di apertura di un nuovo ciclo di attività.<br />
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Alvin Curran, tra i più importanti compositori contemporanei (uno dei fondatori di Musica Elettronica Viva – 1966/1971), è oggi attivo in Europa e negli Stati Uniti con composizioni per piccoli e grandi ensemble che vanno dall’orchestra, al coro, agli strumenti elettronici, e con installazioni sonore e lavori per la radio, per il video e il teatro.<br />
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Iato Orchestra è un grande ensemble nato spontaneamente da un gruppo di musicisti con l’intento di esplorare insieme nuove e diverse possibilità creative di fare musica. Centro di aggregazione di questa realtà, che include alcuni dei musicisti improvvisatori più attivi nella scena romana, è la rassegna Iato, che dal 2003 organizza stabilmente concerti di musica di ricerca presso “Il Cantiere”, storico spazio sociale a Trastevere (Roma).</div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-78342016917127966412013-11-09T05:56:00.000-08:002013-11-09T06:36:35.687-08:00 L’improvvisazione nelle avanguardie musicali. Roma, 1965-1978 di GIOVANNI GUACCERO (27/10 - 18:00) - ALÍPIO CARVALHO NETO / GIANCARLO SCHIAFFINI / ALVIN CURRAN / ALESSANDRO SBORDONI <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmYh9L-Kvo931g1QvpTixrS3pSBX9jigH9jz-JETUl4Wk4QaoyZ-yAak3NoTjIYNUrb6u5jIxDI9-KpN4LZzVDAqxY9Mubd0Avw3K3CD0u2Zz-NMRJOi_CTHsds4ki0UQJkqvTKCJo0qr/s1600/images-1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUmYh9L-Kvo931g1QvpTixrS3pSBX9jigH9jz-JETUl4Wk4QaoyZ-yAak3NoTjIYNUrb6u5jIxDI9-KpN4LZzVDAqxY9Mubd0Avw3K3CD0u2Zz-NMRJOi_CTHsds4ki0UQJkqvTKCJo0qr/s1600/images-1.jpeg" /></a></div>
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<span style="background-color: black; color: white; font-size: 19pt; font-weight: bold;">USA → Italia</span></div>
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<strong>mercoledì 27.11 - Sala Casella</strong></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>ore 18.00</strong><span style="background-color: black;"> presentazione della monografia </span><em>L’improvvisazione nelle avanguardie musicali. Roma, 1965-1978</em><span style="background-color: black;"> di Giovanni Guaccero, Aracne Editrice 2013.</span></span></div>
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<span style="background-color: black; color: white;">interventi di Alvin Curran, Giovanni Guaccero, Alessandro Sbordoni, Giancarlo Schiaffini</span></div>
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<span style="background-color: black; color: white;"><b>Alípio Carvalho Neto</b> moderatore</span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>ore 21.00</strong><span style="background-color: black;"> concerto</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>Elliot Carter</strong><span style="background-color: black;"> (1908-2012) </span><em>Figment IV</em><span style="background-color: black;"> (2007) per viola sola</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>Goffredo Petrassi</strong><span style="background-color: black;"> (1904-2003) </span><em>Violaso<wbr></wbr>la</em><span style="background-color: black;"> (1978) per viola sola</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>Domenico Guaccero</strong><span style="background-color: black;"> (1927-1984) </span><em> <wbr></wbr>Sonatina</em><span style="background-color: black;"> (1956-57) per pianoforte</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>Alessandro Cuozzo</strong><span style="background-color: black;"> (1975) </span><em>Tema e variazioni op.40*</em><span style="background-color: black;"> (2013) per pianoforte</span></span></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><strong>Lowell Liebermann</strong><span style="background-color: black;"> (1961) </span><em>Sonata op.13 </em><span style="background-color: black;"> (1984) per viola e pianoforte</span></span></div>
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<span style="background-color: black; color: white;"><strong style="font-family: arial, sans-serif;"><strong>Neal Gripp</strong> <em>viola </em></strong></span></div>
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<span style="background-color: black; color: white;"><strong>Massimo Spada</strong> <em>pianoforte</em></span></div>
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<a href="http://www.nuovaconsonanza.it/index.php?collegamento=101546703413" style="background-color: black;" target="_blank"><span style="color: white;">http://www.nuovaconsonanza.it/index.php?collegamento=101546703413</span></a></div>
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<span style="background-color: black; color: white; font-family: arial, sans-serif;"><span style="background-color: black;">Concerto trasmesso in live streaming su RadioCemat </span><a href="http://www.radiocemat.org/" style="font-family: Verdana, Geneva, sans-serif; font-size: 10pt; font-weight: bold; text-decoration: none;" target="_blank">www.radiocemat.org</a></span></div>
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<span style="background-color: black; color: white;">U.S.A. <strong>→</strong> Italia si collega ancora all’Accademia Americana, con un confronto di musiche di autori americani ed italiani, mettendo in luce affinità e differenze. Il concerto presenta importanti compositori quali Elliott Carter, scomparso lo scorso anno, e Goffredo Petrassi, di cui ricorrono i dieci anni della scomparsa, Domenico Guaccero allievo di Petrassi, Lowell Lieberman classe 1961 e il giovane Alessandro Cuozzo. Interpreti d’eccezione saranno Neal Gripp, prima viola dell’Orchestra di Montreal e Massimo Spada, raffinatissimo pianista italiano. Il concerto sarà preceduto dalla presentazione della monografia <em>L’improvvisazione nelle avanguardie musicali. Roma, 1965-1978</em> di Giovanni Guaccero.</span></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-13942241944061491682013-10-19T10:04:00.001-07:002013-10-19T15:23:22.580-07:00Forte Fanfulla (23/10 - 21:00) - Alípio C Neto / Luiz Moretto / Greg Burk / Igor Legari / Marco Ariano - APHRODES 5tet<br />
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<span style="background-color: black;"><span style="color: white;">APHRODES 5tet al FORTE FANFULLA</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Alípio C Neto - tenor and soprano saxophones</span></span><br />
<span style="background-color: black;"><span style="color: white;">Luiz Moretto - violin</span></span><br />
<span style="background-color: black;"><span style="color: white;">Greg Burk - moog and melodica</span></span><br />
<span style="background-color: black;"><span style="color: white;">Igor Legari - double bass</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Fanfulla Bistrot</span></span><br />
<span style="background-color: black;"><span style="color: white;">Via Fanfulla da Lodi, 5</span></span><br />
<span style="background-color: black;"><span style="color: white;">00176 Rome</span></span><br />
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<span style="background-color: black;"><span style="color: white;">PHONE: 06 8902 1632</span></span><br />
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<a href="https://www.facebook.com/IlBistrotDelFanfulla?filter=3https%3A%2F%2Fwww.facebook.com%2FForteFanfulla" style="color: #1155cc;" target="_blank">https://www.facebook.com/<wbr></wbr>IlBistrotDelFanfulla?filter=<wbr></wbr>3https%3A%2F%2Fwww.facebook.<wbr></wbr>com%2FForteFanfulla</a></div>
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<span style="background-color: black;"><span style="color: white;">Links:</span></span><br />
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<a href="http://www.alipiocneto.com/" style="background-color: black; color: #1155cc;" target="_blank">http://www.alipiocneto.com</a><br />
<a href="http://alipiocneto.blogspot.it/" style="background-color: black; color: #1155cc;" target="_blank">http://alipiocneto.blogspot.it</a><br />
<a href="https://soundcloud.com/alipio-c-neto" style="background-color: black; color: #1155cc;" target="_blank">https://soundcloud.com/alipio-<wbr></wbr>c-neto</a></div>
<a href="https://soundcloud.com/luizmoretto-violin" style="background-color: black; color: #1155cc;" target="_blank">https://soundcloud.com/<wbr></wbr>luizmoretto-violin</a></div>
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<a href="http://www.gregburk.com/" style="background-color: black; color: #1155cc;" target="_blank">http://www.gregburk.com</a></div>
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<a href="http://marcoariano.idra.it/" style="background-color: black; color: #1155cc;" target="_blank">http://marcoariano.idra.it</a></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0tag:blogger.com,1999:blog-8659616650912441000.post-55573323079529178512013-10-10T16:54:00.000-07:002013-10-25T02:26:38.040-07:00EMUfest - Conservatorio Santa Cecilia (21/10 - 20:30) - ORLANDO LEGNAME <br />
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<span style="background-color: black;"><span style="color: white;"><em style="font-family: Arial, Helvetica, sans-serif;">“Dark matter”</em> (2013) [8’]</span></span><br />
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<span style="background-color: black;"><span style="color: white;">Pianoforte, clarinetto, saxofoni, violino preparato, contrabbasso, entomofono & percussioni,</span></span><br />
<span style="background-color: black;"><span style="color: white;">elettronica, video e augmented conductor<strong></strong></span></span><br />
<span style="background-color: black;"><span style="color: white;"><strong>Orlando Legname </strong>(USA)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhodwlK3Wdt8A6bUIQNu6e1gI-bj08dLt6GUjdc_TBKTtRkvRa-xtlTMo-VIczD73JHDjPqSzc2WgDltE071xKplvxYiqFGF8zDA4soTfZbyWRIT9tEs_ga1oaYUdMPuwZzDFbBqeVaPosb/s1600/stacks_image_503.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhodwlK3Wdt8A6bUIQNu6e1gI-bj08dLt6GUjdc_TBKTtRkvRa-xtlTMo-VIczD73JHDjPqSzc2WgDltE071xKplvxYiqFGF8zDA4soTfZbyWRIT9tEs_ga1oaYUdMPuwZzDFbBqeVaPosb/s1600/stacks_image_503.jpg" /></a></div>
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<span style="background-color: black;"><span style="color: white;">Direttore: <strong>Orlando Legname</strong></span></span><br />
<span style="background-color: black;"><span style="color: white;">Clarinetto: <strong>Massimo Munari</strong></span></span><br />
<span style="background-color: black;"><span style="color: white;">Pianoforte: <strong>Greg Burk</strong></span></span><br />
<span style="background-color: black;"><span style="color: white;">Saxofoni tenore e soprano:<strong> </strong><strong>Alípio Carvalho Neto</strong></span></span><br />
<span style="background-color: black;"><span style="color: white;">Violino preparato: <b>Luiz Moretto</b></span></span><br />
<span style="background-color: black;"><span style="color: white;">Contrabbasso:<strong> Roberto Bellatalla</strong></span></span><br />
<span style="background-color: black;"><span style="color: white;">Entomofono & percussioni: <strong>Marco Ariano</strong></span></span></div>
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<strong><a href="http://www.emufest.org/emufest_it/index_it.htm" style="background-color: black;" target="_blank"><span style="color: white;">http://www.emufest.org/emufest_it/index_it.htm</span></a></strong></div>
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Alípio C Netohttp://www.blogger.com/profile/15423935305829103181noreply@blogger.com0